Showing posts with label Raising Sand. Show all posts
Showing posts with label Raising Sand. Show all posts

Saturday, August 8, 2009

Folk musician Mike Seeger dies at 75

Mike Seeger died at his home on Friday night at the age of 75, NPR has reported.

An American multi-instrumentalist well known in the folk music community, Seeger once told LedZeppelinNews.com he did not know who Robert Plant was when he recorded for the album Raising Sand with Plant and Alison Krauss.

On Sept. 25, 2007, he said:
"I don't know if I should really make my ignorance known, but I didn't know who Robert Plant was. I've heard of Led Zeppelin, but I'm so engrossed in traditional music including bluegrass and country-western that I don't know other kinds of music much. ... I did know Alison Krauss. Alison is a wonderful singer and fiddler and bandleader ... and on the strength of her music, and with T Bone [Burnett] producing it, I thought I could help some."
Seeger's sole contribution to Raising Sand was on the closing track, "Your Long Journey." He proclaimed the track to be "one of the most beautiful songs in the genre." Fittingly, its lyrics surround the imminent passing of a loved one.

The version on Plant and Krauss's album bears a prominent autoharp track from Seeger.

When asked why he might have been selected to contribute to the album, Seeger told LedZeppelinNews.com, "Well, I think it was that I play a fairly traditional-sounding autoharp style, and it fits with the older songs."

"Your Long Journey" is credited to the husband-and-wife duo of Doc and Rosa Lee Watson, who originally recorded it for the 1963 LP Doc Watson & Family (available on CD since 1993 as The Watson Family).

Seeger deserved credit for being awfully open-minded in his musical tastes. He was raised on a steady regimen of recordings his parents often carried back from trips to the Library Congress.

"I'm interested in a lot of sounds," said Seeger. "I was reared on those field recordings and my parents' singing to us and my brother [Pete Seeger]'s music."

Seeger lived in Lexington, Va. NPR reports that Seeger had recently been "working on a video documentary project focusing on current Southern banjo players."

Thursday, December 4, 2008

Robert Plant, Alison Krauss nominated for five Grammys

Five new Grammy nominations have been given to Robert Plant and Alison Krauss for their work together.

Their second single, "Please Read the Letter," is up for Record of the Year against some other entries by artists including Leona Lewis, who joined Jimmy Page onstage at the Olympics closing ceremony in August, and Coldplay, which was nominated in seven Grammy categories.

As expected, Raising Sand is up for Album of the Year, squaring off in this category with some heavy hitters: Coldplay again, rap artist Lil Wayne (who tops the number of nominations at seven), R&B singer Ne-Yo (who has six nominations) and Radiohead (which has five nominations).

The feat of earning five nominations was also achieved by artists John Mayer and Jazmine Sullivan.

Raising Sand
's opening track, "Rich Woman," was nominated in the category Best Pop Collaboration with Vocals, affording Plant and Krauss the opportunity to repeat their win in the same category at this year's ceremony. That win in the 2008 Grammys was for their cover of the Everly Brothers' "Gone, Gone, Gone (Done Moved On)," the only track of theirs eligible for nomination at this time one year ago.

Representing a genre shift for Plant, their version of Roly Salley's "Killing the Blues" is up for Best Country Collaboration With Vocals. George Strait is nominated twice in this Grammy category: once for a duet with Kenny Chesney and also for another with Patty Loveless.

Raising Sand is also up for Best Contemporary Folk/Americana Album against the latest from Joan Baez, Emmylou Harris, Ry Cooder and Rodney Crowell.

The Grammy winners are to be announced in February. The 51st Annual Grammy Awards is set to be broadcast live on Feb. 8.

In addition to the earlier Grammy, the Plant-Krauss collaboration on "Gone, Gone, Gone (Done Moved On)" earned the Musical Event of the Year award last month at the Country Music Association's annual awards ceremony. The video for that song won a CMT Music Award in April in the Wide Open Video category.

In September, Plant and Krauss received two awards from the Americana Music Association, for Album of the Year and Duo/Group of the Year.

Tuesday, April 15, 2008

Touring partners Plant, Krauss awarded for music video

Musical partners Robert Plant and Alison Krauss earned a CMT Music Award last night for their first music video, "Gone, Gone, Gone (Done Moved On)." Both singers were on hand in Nashville to receive their award, given in the category named Wide Open Video.



Finding himself at a ceremony surrounding him with country music stars including Brad Paisley, Taylor Swift and Kellie Pickler, Plant remarked about "how peculiar it is to be here."

Still, he said he was enamored by the attention given to Raising Sand, his album with Krauss. "It's a great honor to have made a record in Nashville that sounds so good," Plant said. "We'd like to thank T Bone Burnett, our amazing producer ... and the people of Nashville who have been amazing to us."

Plant also thanked the classic songwriting team behind the tune. The Everly Brothers cracked the Top 40 singles chart with "Gone, Gone, Gone" in 1964, for the last time in their singing career. "I'd like to thank Don and Phil Everly for getting me through my teenage years," said Plant, "and I'd like to thank Alison for helping me get through my late 50s."

The video, which debuted on CMT in late November, stars Plant, Krauss and Burnett performing on stages surrounded by bubbles in one scene and balloons in another. The song earned Plant and Krauss a Grammy in February.

The video has now been followed up with a second one for the two singers, this one for the song "Please Read the Letter." The only tune on their album co-written by either Plant or Krauss, it is a 10-year-old song from Plant's back catalog with Jimmy Page.

The first touring dates for Plant and Krauss comes this weekend as they play both Saturday and Sunday at the Palace Theatre in Louisville, Ky. LedZeppelinNews.com picks up the tour in the next two cities, covering the April 22 show in Knoxville, Tenn., and the April 23 concert in Chattanooga, Tenn.

The full itinerary for the concert tour is as follows:

NORTH AMERICAN TOUR -- FIRST LEG
  • Saturday, April 19 – Louisville, Ky. – The Palace Theatre
  • Sunday, April 20 – Louisville, Ky. - The Palace Theatre
  • Tuesday, April 22 – Knoxville, Tenn. – Knoxville Civic Coliseum
  • Wednesday, April 23 – Chattanooga, Tenn. – Memorial Auditorium
  • Friday, April 25 – New Orleans, La. – Jazz & Heritage Festival
  • Saturday, April 26 – Birmingham, Ala. – BJCC Arena

EUROPEAN TOUR

  • Monday, May 5 – Birmingham, England – NIA Academy
  • Wednesday, May 7 – Manchester, England – Apollo
  • Thursday, May 8 – Cardiff, Wales – Cardiff International Arena
  • Saturday, May 10 – Dusseldorf, Germany – Philipshalle
  • Sunday, May 11 – Brussels, Belgium – Forest National
  • Tuesday, May 13 – Paris, France – Le Grand Rex
  • Wednesday, May 14 – Amsterdam, Netherlands – Heineken Music Hall
  • Friday, May 16 – Stockholm, Sweden – Hovet
  • Sunday, May 18 – Oslo, Norway – Spektrum
  • Monday, May 19 – Bergen, Norway – Bergenshalle
  • Thursday, May 22 – London, England – Wembley Arena

NORTH AMERICAN TOUR -- SECOND LEG

  • Monday, June 2 – Roanoke, Va. – Roanoke Civic Center
  • Wednesday, June 4 – Uncasville, Conn. – Mohegan Sun
  • Thursday, June 5 – Boston, Mass. – Bank Of America Pavilion
  • Saturday, June 7 – Canandaigua, N.Y. – Constellation Brands Marvin Sands Performing Arts Center (CMAC)
  • Sunday, June 8 – Atlantic City, N.J. – Borgata
  • Tuesday, June 10 – New York, N.Y. – Madison Square Garden Theatre
  • Wednesday, June 11 – New York, N.Y. – Madison Square Garden Theatre RECENTLY ADDED
  • Friday, June 13 – Columbia, Md. – Merriweather Pavilion
  • Saturday, June 14 – Asheville, N.C. – Asheville Civic Center
  • Sunday, June 15 – Manchester, Tenn. – Bonnaroo Music Festival
  • Tuesday, June 17 – Detroit, Mich. – Fox Theatre
  • Wednesday, June 18 – Highland Park, Ill. – Ravinia Festival Pavilion RECENTLY ADDED
  • Thursday, June 19 – St. Louis, Mo. – Fox Theatre
  • Saturday, June 21 – Denver, Colo. – Red Rocks Amphitheatre
  • Monday, June 23 – Los Angeles, Calif. – Greek Theatre
  • Tuesday, June 24 – Los Angeles, Calif. – Greek Theatre
  • Wednesday, June 25 – Santa Barbara, Calif. – Santa Barbara Bowl
  • Friday, June 27 – Berkeley, Calif. – Greek Theatre
  • Saturday, June 28 – Stateline, Nev. – Harvey's
  • Monday, June 30 – San Diego, Calif. – Humphrey's
  • Tuesday, July 1 – Phoenix, Ariz. – Dodge Theatre
  • Monday, July 7 – Grand Prarie, Texas – Nokia Theatre RECENTLY ADDED
  • Thursday, July 10 – Atlanta, Ga. – Chastain Park Amphitheatre RECENTLY ADDED
  • Friday, July 11 – Raleigh, N.C. – RBC Center RECENTLY ADDED
  • Saturday, July 12 – Philadelphia, Pa. – Mann Center for Performing Arts RECENTLY ADDED
  • Monday, July 14 – Toronto, Ontario, Canada – Molson Amphitheatre RECENTLY ADDED
  • Thursday, July 17 – Cleveland, Ohio – Time Warner Cable Amphitheater at Tower City RECENTLY ADDED
  • Friday, July 18 – Lexington, Ky. – Rupp Arena RECENTLY ADDED
  • Saturday, July 19 – Nashville, Tenn. – Sommet Center RECENTLY ADDED
  • Sunday, Sept. 28 – Austin, Texas – Austin City Limits Music Festival at Zilker Park NEWLY ANNOUNCED

Friday, January 18, 2008

Plant, Krauss to play U.S. dates

Robert Plant and Alison Krauss have just announced the dates of their earliest-scheduled concerts to take place this spring.

As of now, four shows in the Southern United States this April will open a brief bout of touring in support of their October 2007 release, Raising Sand.

The first date is April 20, with a performance scheduled at the Palace Theatre in Louisville, Ky. Two shows in Tennessee are to follow: April 22 at the Knoxville Civic Center at April 23 at the Memorial Auditorium in Chattanooga. The final U.S. date announced is April 26 at the BJCC Arena in Birmingham, Ala.

Tickets to three of the above shows will be available through Ticketmaster; the exception is the Chattanooga show, for which tickets are available online through http://www.etix.com/.

A previously announced month-long tour of the United Kingdom and mainland Europe is to follow in May.

In a Jan. 18 news release, Rounder Records said other North American concert dates to take place in June and July have yet to be confirmed.


Friday, December 14, 2007

So Robert Plant and Alison Krauss will tour, but what about Led Zeppelin?

A celebratory worldwide reception to the Led Zeppelin reunion concert on Monday -- the first such event of the 21st century, and featuring a fully capable Jason Bonham on drums in place of his late father -- gave fuel to the old will-they-won't-they question that has plagued the band ever since the cruel hand of fate took away one of them.

For perhaps the first time, the question has an answer other than definitely not. They've just appeared onstage and were overwhelmingly successful in recapturing the spirit and the magic of their original incarnation. Each one of them has been quoted, separately, saying the band is playing well and that the future of playing together is possible. So, what's the deal? No official announcement? Have they even made up their own minds yet? Why not keep the momentum going and see what else can be done at this point in time?

The answer is be patient; just wait and see.

One thing that might hold it back -- and this is certainly not the only factor -- is that Robert Plant is too versatile a musician to stick with just one project. The perennial troubadour already has at least one other project on his plate for 2008. Remember, when Led Zeppelin confirmed rumors that it was going to play one show in London to pay tribute to their late mentor, Ahmet Ertegün, it was less than three weeks away from the album release date that introduced the public to the next phase of Plant's career. Indeed, his partnership with Alison Krauss is one he intends to extend beyond only their existing album. Not only will they take their Raising Sand material on the road, as they announced yesterday, but Plant at least once hinted that he and Krauss could be making more studio dates to record a second album together, perhaps next month even.

Already, they are set to spend the month of May touring the United Kingdom and mainland Europe. From this, the logical assumption is that further dates will be in store in the United States, the obvious choice for a bluegrass tour as the music was developed on the American homeland. So, would those shows be in the early spring, or just after the European tour, or some other time? Whatever is implicit here merely puts a temporary limit on the openness of Plant's calendar for outside musical activities.

If only Led Zeppelin didn't have such a versatile singer; he wouldn't be in such high demand! But the simple fact is, folks, he is a versatile singer who, with Alison Krauss, is being energized by a style of music he has heretofore overlooked and performing songs with an approach that is unique in his career. The album came off remarkably well; Raising Sand has been certified Gold by the RIAA and remains high up on Billboard's charts. For a few weeks, it was all I was listening to.

Robert Plant has seldom shied away from a challenge. And he surely realizes bluegrass is not the only possible musical challenge he could be taking on next year. Being the Led Zeppelin singer at the age of 59 is another, a challenge he met head-on for a few hours on Monday.

This development in no way diminishes any chance there is for Led Zeppelin to fly again before audiences in America and elsewhere in 2008 and/or perhaps beyond. In fact, of the rumored concert dates for Led Zeppelin that have been mentioned, the most credible one seems to be the rumored upcoming appearance at the Bonnaroo festival, which takes place this June in Tennessee.

Tacked onto this rumor is the report of Metallica also appearing on the bill, perhaps headlining as one report suggests. (Management for both bands said the report was inaccurate, but it wasn't clear whether they meant the whole thing was or just a minor detail was.) But come on, would Led Zeppelin be playing a festival it wasn't headlining? My opinion: Not in this century! Led Zeppelin might play the festival, but Metallica will not be headlining over Led Zeppelin.

It's interesting to note that the October 2007 "Guitar Heroes" special issue of Q magazine quotes Metallica guitarist Kirk Hammett about his appreciation for the live version of "Dazed and Confused" from The Song Remains the Same. "I used to listen to it every day when I was learning how to play guitar," he said. "That's a total guitar wankathon." The magazine ranked it track the second-greatest guitar track of all time, just under the studio version of Led Zeppelin's "Black Dog." Hammett continues, "Jimmy Page cycles through so many moods and levels of intensity, then he breaks out the violin bow."

Hammett then shifts into a story about the group that took place when he was 14 years old and another six years away from joining Metallica. "I saw Zeppelin in 1977 at the Day On The Green [in Oakland, California]. It was the show where [promoter] Bill Graham threatened to throw the Zeppelin guys in jail and there was a big argument before they went on. I remember sitting in the crowd for an hour and a half. Someone came onstage and said, Sorry for the delay, something's wrong with Jimmy's double neck guitar. The funny thing is, I could see it off to the side of the stage. I was thinking, Well, there it is. I wonder what's wrong with it?"

Bonnaroo aside, Led Zeppelin dates at Wembley Stadium in London, Madison Square Garden in New York, and Olympic Stadium in Montreal have also been rumored to be booked, in the works or, at the very least, being contemplated. There is certainly a buzz about the chances of Led Zeppelin performing live again in 2008. Just be patient. We must wait and see.

Thursday, December 13, 2007

Robert Plant, Alison Krauss announce European tour in May

Robert Plant and Alison Krauss are scheduled to perform 11 shows in May 2008, according to the Tour page on their official site. Their announcement contains dates, locations, showtimes and ticket purchase information.

Their tour is to begin and end in the United Kingdom, with initial dates May 5 at the NIA Academy in Birmingham, May 7 at the Apollo in Manchester and May 8 at Cardiff International Arena in Wales, and concluding May 22 at Wembley Arena in London.

The middle of the month is to include dates in Dusseldorf, Germany (May 10); Brussels, Belgium (May 11); Paris, France (May 13); Amsterdam, Netherlands (May 14); Stockholm, Sweden (May 16); Oslo, Norway (May 18); and Bergen, Norway (May 19).

Each concert is also expected to feature the musicianship of T. Bone Burnett, who produced the singing duo's album Raising Sand and played guitar on it.

Tuesday, November 27, 2007

Led Zeppelin makes top 10 Billboard debut

Mothership, Led Zeppelin's two-disc best-of set released Nov. 13, debuted at No. 7 in the Billboard 200 chart.

The same Dec. 1 chart listing also ranks Led Zeppelin's "Stairway to Heaven" at No. 14 Billboard's among hot ringtones. The 1971 track also peaked at No. 30 among hot digital songs.

The new album by Robert Plant and Alison Krauss is hanging on to Billboard's top 25 in its fourth week since release. Now at No. 25, Raising Sand was an unexpected hit right away, peaking at No. 2 in its first week.

Next week's chart listings are expected to contain Led Zeppelin's The Song Remains the Same soundtrack. The double-disc release was reissued on Nov. 20 along with a new 2-DVD adaptation of the band's 1976 movie of the same name.

Zep members promote bluegrass projects

Robert Plant and Alison Krauss recorded an appearance on the nationally syndicated public radio program "World Cafe." The singers recalled their meeting and detailed their favorite moments from their collaborative album, Raising Sand, in a segment with host and interviewer David Dye that aired Nov. 22. The appearance is archived online here.

Uncle Earl is scheduled to appear on the show Jan. 15 as part of a U.S. tour so far scheduled for the East Coast and Midwest. Their second album, released March 2007, was produced by John Paul Jones. He plays various instruments on four of the album tracks including in their latest video, and he has appeared onstage with Uncle Earl several times.

The group last week completed a tour of the United Kingdom. Jones attended both the first and last shows with his wife, Mo (Maureen), according to Uncle Earl's official newsletter:
Of all the 2 million people trying to get LED ZEPPELIN tickets right now, the really smart ones came out to see Uncle Earl on the first and last days of our tour. ;-) John Paul Jones & his wife Mo made it out to London & Bristol, which made us feel pretty special.
The same week as the Uncle Earl video featuring Jones makes its debut online, the bluegrass project engulfing Robert Plant is premiering on the Country Music Television network. The Bluegrass Blog reported that the video for "Gone, Gone, Gone" with Plant and Alison Krauss "is set to enter CMT in a medium-heavy rotation, with better than 20 airings weekly."

The Plant-Krauss video, which can be seen online here (and below), is slated to be included in the country channel's countdown program beginning Thursday, Nov. 29, according to a few blogs including Miranda Lambert's.



Clips of a prototype of the "Gone, Gone, Gone" video aired during the duo's "Today" show appearance on Oct. 24 and other televised interviews at the time. The video now online includes previously unaired scenes and represents a vast improvement over the prototype, containing some playful glances exchanged between the two singers.

"I've met my match with the American roots musicians I'm working with at the moment," Plant told the Observer in London, for a piece published Sunday, Nov. 11.

"My love for discovering new things is ceaseless, but I have missed white American roots music entirely," Plant continued. "I thought it was just guys in the hills singing black people's songs, and I was so wrong. This is a mountain song about a woman who goes off the rails, and he tells a tale, and he's got a way of singing that goes deep; you can hear the experience in his voice."

Plant even alluded to the related work of his fellow Led Zeppelin member. "I've been seeing more of John Paul Jones recently, who has been in Nashville, and I've been working with Alison Krauss and T-Bone Burnett, so the doors have been flung wide open," he said.

In an interview alongside Krauss for the December 2007 issue of Mojo magazine, Plant expounded on his earliest and more recent impressions of Nashville.

Thursday, November 15, 2007

Robert Plant, Alison Krauss promote album on PBS

Led Zeppelin's upcoming reunion concert never factored into the discussion with Robert Plant, Alison Krauss and T-Bone Burnett on yesterday's "Charlie Rose."

The 26-minute conversation, which aired yesterday on PBS television and is shown below, centers entirely on the ideas behind the album Raising Sand and Burnett's involvement as producer.




The singers detailed who was responsible for picking each of the songs on their album and what their initial thoughts were when they approached them.

"I went in deliberately trying to keep any preconceived idea out, and we recorded in a much different way than I am used to recording," explained Krauss. "The group that I've played with for the last number of years [Union Station] -- we're very planned out when we go in, very specific. Many times, [we] have the sequence of tunes already known when we go in. You know, we've worked what the sequence of the record was gonna be. And I really felt like my role in this, besides coming to sing, was to really be open and to support T-Bone's ideas, no matter how vague it was to me."

In one point that matches up with a statement of Plant's in the November issue of Uncut, Krauss said Burnett sent the singers communications with very detailed and persuasive descriptions of the songs he had picked out. "Wow, we were blown away by the material," she continued. "You know, these were the original artists singing all this, and he has a description of everything, and it's very deliberate. And then you get in the studio, and it's sort of opposite. It's very natural, and he wants everybody to do what they would naturally do. And he kind of sits in the background and kind of herds everybody ever so slightly, enough where Robert and I are, 'What's he doing in there?' 'I don't know what he's doing in there!'"

Plant recounted what it was like arriving at her house in Nashville, to be greeted there for the first time by the hulking T-Bone Burnett. "And he's bigger than me too!" said Plant.

Krauss also recounted an anecdote she's previously stated in interviews, about receiving a phone call from Plant and purposely sounding very restrained -- only because she didn't want to wake her baby.

As far as their future touring plans, Plant discussed the idea of a revue. "I don't sing all the time, and neither does Alison, so it's good that way because you can leave the stage, somebody else can -- the spotlight definitely moves," he said.

"An evening with us should be something really, really special. It should be supported by other artists. It should be, I think -- it could be quite an interesting little adventure, you know."

Update: This interview can now be purchased on DVD.

Wednesday, November 14, 2007

Led Zeppelin hits media circuit

Interviews with the members of Led Zeppelin are popping up everywhere. A chat with Jimmy Page is included in the December issue of Classic Rock magazine hitting newsstands today, and Robert Plant and John Paul Jones are making media appearances tonight.

The magazine cover is made to look like the cover of Led Zeppelin III. The first installment in a two-part interview with Page is just one part of this special collector's edition, much of which is devoted to Led Zeppelin.

In the United Kingdom, Jones appeared on the BBC Radio 2 program hosted by Mark Radcliffe and Stuart Maconie. He discussed the Mothership release and the upcoming Led Zeppelin reunion concert.

The hosts played "Black Dog" and "Trampled Under Foot" from Mothership, as well as "The Last Goodbye" from the album he produced for Uncle Earl. That four-piece old-time string band is currently on tour in England.

Plant will surely face a question or two about Led Zeppelin while guesting on tonight's episode of PBS television's "Charlie Rose." [Update: No Zep-related questions were asked! See TV spot here.] However, the singer is being interviewed alongside Alison Krauss and producer T-Bone Burnett; the three are promoting the recent release of their album, Raising Sand.

This issue of Classic Rock magazine "comes encased in an exclusive wallet that apes the design of the Zep III album," according to the magazine's official Web site. "What’s more, our wallet was designed by none other than the mysterious and enigmatic Zacron – the reclusive artist who actually created the original Zep III sleeve way, way back in 1970!"

The magazine also includes a feature on Zacron and an interview with former Atlantic Records executive Phil Carson, as well as features on the band's March 1969 Supershow appearance and on Page as a producer, or "Rock's Sonic Architect."

Several famous musicians also comment on Led Zeppelin's reunion in the new issue. The magazine carries quotations from "Slash, Roger Daltrey, Ian Anderson, Tony Iommi, Neal Schon, Steven Tyler, Nancy Wilson, Kid Rock, Dave Mustaine, Ace Frehley, Billy Gibbons and many more" including Ritchie Blackmore.

Led Zeppelin will also be the cover story of the Holiday 2007 issue of Guitar World magazine. Also available as a special collector's issue, it will feature two separate covers – one with a blue background and the other with a white background.

The Guitar World covers, each bearing a new photo of Page holding a guitar, promise Page's "most in-depth interview ever" as well as features on "the historic reunion tour," "his new custom Les Paul guitar," and "On the Road with Zep in '73."

Both shots of Page for Guitar World were taken by photographer Ross Halfin.

Tuesday, October 23, 2007

Plant, Krauss promote release of album on Rounder

Now that Raising Sand, the long-awaited collaboration between Robert Plant and Alison Krauss, has arrived in stores and in the hands of patient fans, the singers are making the rounds in support of their 58-minute disc.

With a touring band including several of the studio musicians employed on the album, Plant and Krauss took to the stage in Tennessee on Oct. 18 for an episode of "CMT Crossroads" to air in January.

They are also slated to perform in the studio on tomorrow's "Today" show on NBC, and an appearance on "Charlie Rose" on PBS has also been mentioned.

Plant was a guest on "Charlie Rose" on May 11, 2005, supporting Mighty ReArranger. That full interview can be viewed here.

The performance segment of the Oct. 24 "Today" show appearance with Plant and Krauss can be viewed below. They performed "Gone, Gone, Gone (Done Moved On)."
Alison Krauss and Robert Plant perform
Alison Krauss and Robert Plant perform

Tuesday, October 9, 2007

Raising expectations: A rundown of the coming album by Robert Plant and Alison Krauss

This piece originally appears in Issue 19 of the magazine Tight But Loose, published in January 2008. It is reproduced here with the permission of TBL publisher Dave Lewis. For TBL subscription information, visit www.TBLweb.com.

In yet another turn of direction, Robert Plant's collaboration with Alison Krauss has exceeded all expectations and garnered some of the best reviews of his career.

Raising Sand, a collection of obscure covers mostly in the folk tradition, pairs Robert Plant with one of the finest female voices of the bluegrass world. For people who have been following the twists and turns of Plant's long and varied career, it's really no immense surprise that his collaboration with Alison Krauss has taken place. Frankly, it's more of a surprise that this sequence of events didn't play out sooner.


Plant gave us a hint of his appreciation for Krauss in an interview for Classic Rock magazine published in January 2004. When speaking about his wide-ranging musical interests, he pondered, "You know, are people just stuck in particular channels; can somebody who likes Jane's Addiction really get into Alison Krauss? I don’t know. But as far as I can see, music is music." Toward the end of 2004, the next drop of a hint was presented when Plant and Krauss teamed up to harmonize on some songs at a tribute concert in Cleveland honoring Leadbelly.

From this meeting came the inspiration for further cooperation between the two singers. Recorded in 2006, Raising Sand demonstrates just how fruitful their partnership is: On several tracks, the singers' voices meld as if they were glued together. This makes it all the more appropriate the fact that one of the songs fades out with Plant and Krauss combining to echo a refrain of "Come on and stick with me, baby/ Come on and stick with me, baby." Truly, their voices have found a way to do just that, to Plant's apparent delight.

"I'd always liked harmony singing," he said in a promotional video for Rounder Records, "but I'd never been a part of anything in any band that ever went anywhere near harmony work, you know? You may put a third on as a part of the chorus or something back in the day, but not much." The album opens with two songs sung entirely in harmony, minus a few ad libs here and there.

As far as cover tunes go, this album resembles Plant's 2002 Dreamland album in that the songs chosen may not be instantly recognizable to any one listener. The one person who best knew all the songs in this case is the person who picked them out, T Bone Burnett. The product of a Texas upbringing, the Grammy Award-winning producer decided upon a fair amount of material dating back to the 1960s alongside some more recent picks.


Tuesday, September 25, 2007

Raising Sand musician Mike Seeger cherishes traditional sounds

Bob Dylan's is one of those names many musicians drop when asked to identify their largest influences. But dig deeper and ask Bob Dylan who influenced him, and you're likely to hear a name like Mike Seeger's.

Now aged 74 and still very much active, this authority on most string instruments has had a very important musical career dating back to the 1940s. An inspiring band of Seeger's, called the New Lost City Ramblers, is currently celebrating its 50th year of existence. The lesser known younger brother of folk singer Pete Seeger, he continues to perform regularly in live settings and often lends his creative hand to compilations of previously undiscovered folk music. His solo albums -- including one released earlier this year and another on the way shortly -- reflect his deep fascination with ranges of traditional styles whose diverse origins span the globe.

Mike Seeger is also one of a select few who joined Robert Plant and Alison Krauss in Nashville last year when they were recording the album that will be released next month as Raising Sand. When Seeger received my request for an interview, he wasn't quite sure why I would want to ask him about his involvement with the album. After all, he reasoned, his contribution was very minor -- limited to playing music on only one song. Besides that, unlike me, he hadn't heard the finished product yet.

To top it all off, he said he couldn't offer much insight as to the profoundness of the alliance of the former Led Zeppelin front man with the bluegrass vixen. Seeger sounded apologetic on the phone today when he confessed:
"I don't know if I should really make my ignorance known, but I didn't know who Robert Plant was. I've heard of Led Zeppelin, but I'm so engrossed in traditional music including bluegrass and country-western that I don't know other kinds of music much."
While he might not be able to distinguish Plant from, say, Ian Anderson or David Coverdale, much less Ric Ocasek, Seeger says he was familiar enough with some of the other personnel on the Plant/Krauss project to agree to contribute to it when asked. Basically, he took their word for it. "I did know Alison Krauss," he offered. "Alison is a wonderful singer and fiddler and bandleader … and on the strength of her music, and with T Bone [Burnett] producing it, I thought I could help some."

The project gave Seeger opportunities to partner again with Norman Blake, a traditional guitarist and Dobro player he admires, and percussionist Jay Bellerose. Seeger said he was most familiar with those musicians, although he did also recall having worked with Burnett and upright bassist Dennis Crouch in recording an album for dear friend Ralph Stanley, released last May.

Seeger's sole contribution to Raising Sand is on its closing track, "Your Long Journey." With its lyrics about the imminent passing of a loved one, it is credited to the husband-and-wife duo of Doc and Rosa Lee Watson, who originally recorded it for the 1963 LP Doc Watson & Family (available on CD since 1993 as The Watson Family).

Seeger, who played a prominent autoharp on the new version for Plant and Krauss, proclaimed the track to be "one of the most beautiful songs in the genre." Asked why he might have been selected to contribute to the album, Seeger speculated, "Well, I think it was that I play a fairly traditional-sounding autoharp style, and it fits with the older songs."

He deserves credit for being awfully open-minded. "I'm interested in a lot of sounds," said Seeger. He was raised on a steady regimen of recordings his parents often carried back from trips to the Library Congress. "I was reared on those field recordings and my parents' singing to us and my brother's music." (Mike Seeger was still in his teens when his brother Pete formed his first band.)

As far as not being versed at all in Led Zeppelin's music, it's forgivable in Seeger's case. He does seem interested, though. After learning where his preferences lie, I laid out for him the bit of Led Zeppelin history that was most relevant to him: John Paul Jones, on his recorded cover of "Down to the River to Play" available on his 2002 album The Thunderthief, employs an electronic technology called Kyma to layer musical lines played on the tripleneck mandolin; it is also a process that can be duplicated live. Seeger said he would be very interested to hear that and asked me to send him a copy. On that note, I plan to oblige.

Monday, September 10, 2007

Extended clips of Robert Plant/Alison Krauss album

Rounder Records has posted long clips of the 13 tracks of Raising Sand, the forthcoming album from Robert Plant and Alison Krauss. The album hits the streets Oct. 23.

Wednesday, August 29, 2007

TBL in the mail

Issue 18 of the fan magazine Tight But Loose (tblweb.com) has arrived in my mail hot off the presses in the United Kingdom. There's a whole slew of news on Robert Plant activity in 2007, including discussion of some recent and upcoming concert appearances (a new Strange Sensation song is said to have debuted live!), some previously reported info on his album with Alison Krauss to be released in October (pre-orders onsale now), and something that was new to me.

Namely, Plant contributed two tracks that will be included on a compilation to be out in September that will benefit Fats Domino's foundation, established to help rebuild some portions of New Orleans that are still in poor shape from Hurricane Katrina two years ago. TBL details the track names plus where and when they were recorded and with whom. Also, Plant performed a set including both songs and some Elvis Presley songs as well as some Zep material onstage just after recording the album. I'll leave it to Dave Lewis to provide those details rather than repeating them here.

The Plant-Krauss coverage in TBL, while mostly stuff I'd seen elsewhere and even reported myself in the Aug. 20 edition of my newsletter, does reveal one detail that was new to me, although precise details are still pretty sketchy. There is talk of a single to be released from the Raising Sand album, probably prior to its release. Again, I won't reveal here which track Dave Lewis cites as most likely. TBL promises the next issue will go behind the scenes with the making of Raising Sand, and personally, I can't wait!

I did get some song samples from rounder.com and also on the album listing at amazon.com. From what I've heard, I'm particularly excited about the Everly Brothers track, "Gone, Gone, Gone."

Something Plant said in an interview for Rounder's electronic press kit struck me as particularly cool: that it was with this project that he was first paired with a singer of equal talent who could follow him. Look back through his history: Who all else has dared to sing harmony with Robert Plant? It's a short list. But probably nobody has done it as well as Alison Krauss did. Oh, I'm getting ahead of myself here. I haven't heard the full album yet! Thirty-second song clips and testaments from those who have heard the album, however, tend to support this statement.

Somebody just politely prodded on John Paul Jones' official discussion group that he's overdue for another update. They are pretty infrequent at that site; the last was in December 2006. Jonesy told me in December 2001, in a four-hour interview conducted in Philadelphia during the "budget tour" with King Crimson that preceded the release of his album The Thunderthief, that he wanted to interact with fans much more often than he was doing at the time. Jonesy soon handed off his Web design and maintenance to Canadian fan Sam Rapallo, the guy behind the Electric Magic site at led-zeppelin.com (yes, I was jealous, but he had a better résumé, and I still no nothing about making Web sites). They launched a new site, and JPJ's resolve to post more often quickly waned. Granted, maybe it's partially because he updates readers almost entirely on his solo activities, like progress on a new studio album that's been in the works for a long time but keeps getting shelved for other projects.

Jonesy has had his hands full, though, no doubt. There was producing Uncle Earl's album, there are bluegrass festivals, there's improving his skills on a mandolin and other assorted string instruments. But he did show up at Bonnaroo, the jam band festival in Tennessee earlier this year. A former coworker of mine texted me from Bonnaroo and told me he was watching JPJ play "Dazed and Confused" onstage. I thought my buddy was just messing with me! But I checked it out, and it's all over Youtube (in two parts). JPJ looked young -- way younger than he should, by comparison to Page and Plant anyway -- and he really appeared to be enjoying himself while revisiting this song he might not have played in front of a crowd since 1975 (verification/corrections, anybody?). Full coverage of this and his other Bonnaroo onstage guest spots in TBL.

The magazine also has a nice rundown of what to expect from the Mothership and TSRTS releases in November. As far as Mothership, I will go out on a limb and agree with Dave Lewis that the real prizes will be on the limited edition versions, especially the collector's edition. I might just happen to have a little inside information on this project myself. Stay tuned to my newsletter for anything I can reveal about that.

While there was nothing particular in this TBL about the ever-elusive Page other than a brief at-press-time mention of his role in testifying in trial against a man in Scotland who subsequently pled guilty to a charge of profiting from the sale of unauthorized live recordings of Led Zeppelin and other bands, TBL promises the next issue will have an interview with Page and info on a biography. Very ambiguous. Do they mean autobiography? It would be very interesting to read Page's own words on himself.

Finally, Dave Lewis discusses those Led Zeppelin reunion rumors and even points to the seemingly errant one-off rumor of a reunited Beck/Page Yardbirds. As for Zep, Lewis feels -- as do I -- that getting together for a once-only tribute show for Atlantic Records' Ahmet Ertegün is not far-fetched; anything further than that, on the other hand, is unlikely. For one thing, Plant will be touring with Alison Krauss to support Raising Sand! This much is sure.

Monday, August 20, 2007

Robert Plant at 59: A look back, and a glimpse forward

This news originally appeared in an edition of the newsletter "On This Day In Led Zeppelin History."

On this day in 1948, Robert Anthony Plant was born in West Bromwich, Staffordshire, England. Leaving his home in his teens, he promised his parents he would return to enter into accounting in the event that his desire to make a living off of singing would not be realized by his 20th birthday. What fulfilled that goal was his eventual calling to front a band featuring John Bonham, John Paul Jones and Jimmy Page. With the group that came to be known as Led Zeppelin, Plant's career choice was no longer in question, and he is still singing today as a result.

Now at age 59, he appears to be a much more toned down version of the golden god he was when his image was first displayed on LPs and posters in the bedrooms of nearly every hip teen-ager in the civilized world. While the Robert Plant of today may not be heaving as many televisions from hotel lofts or hitting as many high notes as he once did, the breadth of his voice and passion for music have perhaps never before been better realized than in recent years, mainly with his current band, the Strange Sensation.

The coming months are set to unleash a new chapter in Plant's long journey. On Oct. 23, Rounder Records is set to release a new album pairing him with bluegrass icon Alison Krauss. The label says this record will be "a revelation for the listener" that "spans the intersections of early urban blues, spacious West Texas country, and the unrealized potential of the folk-rock revolution."

Artists including Johnnie Ray, Buddy Holly, Elvis Presley, Smokey Robinson, Chuck Berry, Bo Diddley, Muddy Waters, Buddy Guy, Little Walter and, posthumously, Robert Johnson all made initial impressions on Plant's development as a student of music. He also imported psychedelic rock from America and incorporated the look and sounds into his own act before he ever performed outside of his home country.

Once he developed the means, Plant traveled great distances to establish kinship with likeminded musicians from across genres and borders. Most notably, he has done so by taking Jimmy Page in 1994 to rekindle some of Led Zeppelin's spirit alongside street musicians in Marrakesh, Morocco. On a return trip to the African continent in 2003, he brought his two Strange Sensation guitarists to the Sahara desert for a four-day music festival that showcased many of the most expressive performers from the region. Plant and accompanying musicians had been attending such festivals for years, and he is now adding his own unique piece to it.

His upcoming album with Krauss, called Raising Sand, approaches obscure songs by the Everly Brothers, Tom Waits and contemporary singer Sam Phillips, among others. The label tells us that this collaboration "defies genres in favor of a wide open brand of seismic soul music" and "uncovers popular music's elemental roots while sounding effortlessly timeless."

Plant's 59th birthday today reminds us that he was fortunate to have fallen into the scope of Jimmy Page back in 1968 to deliver a lifetime's worth of music that continues to confront standard classification while evoking a wide range of emotions in its beholders. May the fans be grateful today and always for Plant's enduring achievements. We all wish you a happy birthday, Robert!