Showing posts with label RP2010. Show all posts
Showing posts with label RP2010. Show all posts

Thursday, September 30, 2010

Zeptember arrivals from Robert Plant, Jason Bonham hit No. 1

Two of the musicians who played onstage with Led Zeppelin in December 2007 released their first new albums since that concert this month, and both discs hit No. 1 on one chart or another.

Second-week sales of Robert Plant's Band of Joy were down by almost half in the United States. Statistics indicate the disc sold 49,000 copies over the week of its Sept. 14 release and 25,000 the following week.

That has been enough to place the album at the top of Billboard's Tastemaker Albums chart for the week of Oct. 2. This chart represents "the week's top-selling albums based on an influential panel of stores comprised of independent retailer coalitions and smaller regional chains. Titles are ranked by sales data as compiled by Nielsen SoundScan." It's hanging on at No. 3 in the updated listings posted today, for the week of Oct. 9.

Meanwhile, Jason Bonham's latest album release, the debut album by Black Country Communion, landed at the top spot in its debut on BBC Radio 1's UK Top 40 Rock Albums chart. (Incidentally, the same Sept. 26 chart listing also has the debut disc from another Zep-related supergroup, Them Crooked Vultures, lingering at No. 26 in its 42nd week since release. Oh, and Led Zeppelin's 2-CD set Mothership from 2007 ranks at No. 30! It's still charting high in its 114th week.)

As an independent album, Black Country Communion is doing well. It debuted at No. 2 on the UK Top 40 Indie Album chart. Its debut among independent albums on the Billboard chart was at No. 6.

Other chart listings follow.

Thursday, September 16, 2010

Band of Joy - Album Review

Steve Sauer has graciously invited me to post my review here as a guest contributor. I thank him for the opportunity to share my thoughts on Robert Plant's new album, Band of Joy. Steve has done a fantastic job of providing background information and analysis of the original songs that Plant covers on this disc, so I don't feel too badly about not mentioning all of the original artists in my review.

Band of Joy begins with "Angel Dance" - a strong opener with a great groove. Unfortunately the ringing sound (tambourine, I'm guessing) that pops up regularly every so often is very annoying to me - kind of like I suppose a dog whistle would be, if I were a dog... If I could only remove that, it would not just be a good track, but a great one.

"House of Cards" could be improved by making the production a little less muddy. I understand that it was a choice, but to me it just sounds like I'm listening to a static-y radio broadcast. Around 1:44 into the song, the static recedes for a bit for the "and the birds are wheelin'..." section and it sounds fantastic. I love the "and cracked and it's shaking" line - it's delivered perfectly - but then the static aspect returns around 2:15. This song works better live from the recordings I've heard.

I enjoy "Central Two-O-Nine". It's a fun little foot-stomper that would fit in well with a latter-day Zep acoustic set that might also include "Poor Tom".

"Silver Rider" is a dystopian epic - almost up there with "Darkness Darkness" as an enduring favorite cover by Plant. I bought Low's The Great Destroyer a couple months ago to hear this track and "Monkey" in advance of Band of Joy's release. The original "Silver Rider" is a little too achingly restrained for my taste, but Plant's version lets loose just the right amount. A standout track. Buddy Miller plays excellent, haunting guitar, and Patty Griffin's vocal accompaniment might be better here than anything else she does on the album.

Byron House's bass on "You Can't Buy My Love" is satisfyingly dirty and makes the song work much better than it otherwise would. The vocals are fine - there's a trademark Robert moment around 1:50. Not a substantial song, but fun. It probably should not have followed "Silver Rider" on the album and might have been better off appearing later on this disc.

"Falling in Love Again" is a very nice vocal showcase for Plant at this point in his career - his voice sounds rich and smooth. The steel guitar around 1:50 is a little too country/twangy for my liking; a short, sharp electric guitar solo might have improved it, but that's just me.

Unfortunately, "The Only Sound that Matters" begins with more of that extra-twangy steel guitar. The vocals are pushed forward a bit more in this song and sometimes the articulation isn't where it should be - the words sound a little 'thick'. This gets better around 2:15, but then there's more of the twangy guitar.

"Monkey" is perfectly ominous. The rumbling bass and drums, the distorted guitar, the perfectly matched dual vocals... another Low cover, and another standout track. A very good original that is taken to a higher level by Robert and his band. The only thing that detracts is more of that high-pitched ringing that was heard in "Angel Dance". Thankfully there's not quite as much and it's not as noticeable.

"Cindy, I'll Marry You Someday" features some pleasant banjo picking. The vocals are understated, whispered until around 1:40 when they become more forceful. Not my favorite track, but it picks up nicely in the last minute or so.

Plant, Buddy Miller, and Marco Giovino team up to make "Harm's Swift Way" one of the better tracks on the album. There is a confidence and strength to this song that contrasts with the plaintive and vulnerable nature of Plant's singing elsewhere on the disc.

"Satan, Your Kingdom Must Come Down" could have been a Fate of Nations B-side with Rainer Ptacek like "Dark Moon". Spooky...

I've been struggling to figure out what past Plant album that "Even This Shall Pass Away" sounds like it belongs on, but it's somewhere between Shaken 'n Stirred and the previously unreleased 1987 Now and Zen-era track "Upside Down" that appeared on Sixty-Six To Timbuktu. Either way, it's kind of funky and a little odd, but it works as the final track of the CD, probably about as well as "Brother Ray" did on Mighty Rearranger.

A pretty good album overall - I give it a 7 out of 10 and place it somewhere in the middle in terms of Robert's post-Zeppelin work, below Pictures at Eleven (which has grown on me and really benefited from the remastering job for Nine Lives), Fate of Nations, and Mighty Rearranger, which are all big favorites.

I hope that Robert gets inspired to do some more writing of his own for his next album. Mighty Rearranger was very strong lyrically and musically following Dreamland, which was almost entirely a covers album, so perhaps history will repeat itself and we'll get a strong new collection of Plant originals in a couple years.

_________________
Review by Wyatt Brake

Friday, July 2, 2010

Robert Plant shoots music video in Chicago with Los Lobos

Preparations for Robert Plant's upcoming tour and album release are under way, with a video already in the can for a single.

The singer spent some of the past several days in New York and Chicago for some last-minute activities just ahead of rehearsals for his 12-city road trip through the Southern United States.

Among Plant's reported activities over the past several days:
  • Thursday, June 24: After selected reporters gathered at the Back Room, a nondescript bar on New York's Lower East Side, to feast their ears on Plant's new album, Band of Joy, the singer himself made a surprise cameo appearance to discuss what it was like making the music with his new group, the Band of Joy. Reporters in attendance hailed from such media organizations as Rolling Stone magazine, CMT (Country Music Television), Goldmine magazine and Spinner.
  • Monday, June 28: Robert Plant unexpectedly broke out in song in the lobby of the James Hotel in Chicago, while he was there for dinner at David Burke's Primehouse. Reporting from the Chicago Sun-Times online.
  • Tuesday, June 29 (afternoon): Robert Plant filmed a video for his upcoming single, "Angel Dance." The song is the first track on his upcoming album, and it was originally written by Los Lobos. Naturally, the band joined him at the video shoot, which took place in the Little Village neighborhood of South Chicago. The Neighborhood is the title of the Los Lobos album on which their "Angel Dance" first appeared. More details about the video shoot, and some photographs taken, were sent for fan consumption by a member of the film crew; these are available in the For Badgeholders Only archives.
  • Tuesday, June 29 (evening): Robert Plant made a second surprise appearance in Chicago, this time in Grant Park for the Taste of Chicago event. He sat in with Los Lobos for a version of Roy Head's "Treat Her Right," with Plant throwing in some lyrics from the Led Zeppelin tunes "When the Levee Breaks" ("I'm going to Chicago/ Sorry, baby, but I can't take you") and "D'yer Mak'er." Plant strained to hit some notes that are normally well within his range, but his onstage mannerisms were those of an expert. Additional reporting from the Chicago Tribune online. See also amateur footage on YouTube below.

Friday, June 25, 2010

Austin songwriter's 'never-ending quest' lands him spot on Robert Plant's album

Once, I spent part of an afternoon tucked away inside Robert's Western World, one of the honkytonks on Broadway in Nashville, Tennessee. I was so enthralled by the music a local by the name of Dave Cox was playing that I found myself incapable of leaving to go visit anything else in town. Of course, there would have been plenty of other places on Music City's main drag for me to check out, but why leave when I'd already found it?

What I'd found, I suppose, was "the only sound that matters."

Texas native Greg Vanderpool coined that phrase during the two years he spent as a struggling musician in Nashville.

"Texas is home, but I had a really good experience while I was in Nashville," he says in an interview for Lemon Squeezings. "I was spending a lot of time just really going out and hearing music almost every night and just soaking up everything I could. In a lot of ways, it was secondary education just because there are so many good players and writers in Nashville. ... I would go hear bands play all the time, and a lot of times by myself, and maybe drinking a little bit more than I should, in the constant, never-ending quest for some sort of musical fulfillment or gratification."

It's a familiar scenario in Nashville. You can just duck your head into one of the many buzzing establishments, where people are free to come and go as they please, with nobody at the door to collect a cover charge. But you can step inside and hang, just to check out what the music's like in there. If it's not your speed, you can go on to the next place. At each entrance, you hope for the best and mutter to yourself something akin to the words of this refrain:
"I'm looking for the only sound that matters. Is there one in here?"
Listen to the interview

Vanderpool returned to Texas with that finished song and a lot of other original tunes he'd written during his days in Nashville. "The Only Sound that Matters" made it onto the second album from his Austin band Milton Mapes. The album is Westernaire, released in 2003. And now that track has been picked up by Robert Plant for his new album.

Saturday, June 19, 2010

Indie rockers Low excited to hear Robert Plant sing pair of their songs

Ask Alan Sparhawk what it's like to have a song of his covered by Robert Plant, and you're asking only half of the question. Not one but two songs written with his Duluth, Minnesota-based band Low are making it onto the release Band of Joy this September.

"Come on, man, it's Robert Plant singing your tunes," he laughs in a phone conversation. "He can do whatever he wants, man. I'm excited. I'm super excited."

The two songs, "Silver Rider" and "Monkey," originally appeared on Low's album The Great Destroyer, released five years ago on the Sub Pop Records label. Sparhawk, who plays guitar and sings alongside his wife Mimi Parker in Low, says that although he hasn't yet heard either of Plant's takes, he has a feeling they'll be to his liking -- in part based on some of Plant's past cover material.

"Because of his skills and because of the people he's working with, I think he has tons of freedom to really find the essence of how he wants to play a song," says Sparhawk. "I think songs really are sort of little roadmaps, and I think good artists can take a song and work with it and make it their own."

In an interview for Lemon Squeezings, Sparhawk discusses the meanings behind both songs, but he's also quite talkative when he's asked about some of his favorite Led Zeppelin recordings. One of them is the posthumous outtakes compilation Coda, which he says is how he first started listening to the band:
"That one really kind of got me in and, I don't know, people may disagree, but I do feel it was a great first record to absorb."
Sparhawk is also a fan of the early concert footage on Led Zeppelin's DVD set, and he's particularly impressed with how Plant comes across:
"In '69 and '70, people were barely starting to use monitors and stuff, and Robert's just totally nailing that stuff. That's really hard to do. It's really hard to sing well and in pitch and with that much tone in a live rock situation, and he was just nailing that stuff. You just don't see that when you see footage of other bands playing live even back then. It's pretty rare that somebody had it together that much."
You can listen to the interview with Alan Sparhawk of Low here:

Also, check out the group's official website, www.chairkickers.com.

Wednesday, June 2, 2010

Full track listing revealed for Robert Plant's 'Band of Joy' album

Planet Rock Radio's Rob Birnie attended the June 1 listening party of Robert Plant's forthcoming album Band of Joy in London, and today a story posted by Planet Rock's Liz Barnes reveals the disc's full track listing.

The seven song titles that were reported in yesterday's review by Richard Smirke for Billboard.biz were only some of the tracks on the album. According to Planet Rock, there are five others.

The full track listing, as reported by Planet Rock, is:

  1. Angel Dance
  2. House of Cards
  3. Central Two-O-Nine
  4. Silver Rider
  5. You Can't Buy my Love
  6. I'm Falling In Love Again
  7. The Only Sound That Matters
  8. Monkey
  9. Cindy, I'll Marry You One Day
  10. Harms Swift Way
  11. Satan Your Kingdom Must Come Down
  12. Even This Shall Pass Away

Back in February, before Robert Plant himself ever made any public mention of the album being in the works, Darrell Scott revealed in an article published by the Bristol (Va.) Herald Courier that he had participated in the recording of an album with Plant. The article even mentioned one of the album tracks was called "Cindy."

On Feb. 11, LedZeppelinNews.com reported that song is "a traditional bluegrass number also recorded and performed under the title 'Get Along Home, Cindy.'" Today's reported track title, "Cindy, I'll Marry You One Day," appears to be another variation on the theme.

One additional note: The album's working title that LedZeppelinNews.com reported on Feb. 11, It's Rude to Say No, has obviously been rejected in favor of the name Band of Joy. That tentative title was first included in a biography of Plant that appeared on the Web site of a charity concert in which he was participating that month.

Tuesday, June 1, 2010

Robert Plant holds 'Band of Joy' album preview in London

Billboard's Richard Smirke gave his thoughts on the new album from Robert Plant titled "Band of Joy" after attending an exclusive preview of the disc in London today.

While Plant attended the preview and spoke briefly about the album, very few details were distributed to attendees about the personnel. Song titles were revealed, as contained in Smirke's report.

As of today, Amazon is also listing dates for the album release on its U.S. and U.K. sites. The U.K./international release of the album is listed for Monday, Sept. 13, on the Universal label, with the U.S. release to follow a day later, on Tuesday, Sept. 14, on the Rounder label. Pre-orders are being taken on both sites.

Smirke describes the album as "similar in tone and instrumentation to Raising Sand" and makes for "a triumphant follow-up" to that album with Alison Krauss. While he says Band of Joy capably "replicates the raw organic sound of its predecessor," here's the very intriguing part: It often rocks more.

Seven song titles conveyed by Smirke's review for Billboard are as follows:
  • "Angel Dance" is the opening track, described as "a driving blues" and one of the "standout tracks"
  • "Silver Rider" is described as another of the "standout tracks" and "an epic duet" with a female vocalist (probably Patty Griffin, Smirke surmises), and the song "alternates between quiet relaxed verses and an infectiously catchy rock chorus"
  • "I'm Falling in Love Again" is "a beautifully soulful country ballad," Smirke reports
  • "You Can't Buy My Love" is said to convey "a foot-tapping cross between Johnny Cash and Hamburg-era Beatles"
  • "Monkey," he says, "momentarily harks back to Plant's days in Led Zeppelin" featuring a "potent mix of feedback, grinding rock riffs and deep bass" (my observation: note the monkey on the album cover)
  • "Satan Your Kingdom Must Come Down" is another "blues number" that, he says, "pushes Plant's still-powerful vocals to the fore"
  • "Even This Shall Pass Away" (my observation: perhaps a mournful title mirroring the Raising Sand closer "Your Long Journey") is one Smirke says "finds Plant singing, 'What is wealth, the King would say/Even this shall pass away,' before culminating in an extended instrumental outro"
Update: Digging up some information on the album tracks:
  • There's a band called Low with a 2005 album called The Great Destroyer. This album shares two song titles with Plant's Band of Joy: On The Great Destroyer, the first track is called "Monkey," and the fourth track is called "Silver Rider."
  • "You Can't Buy My Love": If you happen to have a 1995 CD called Immediate R&B: Charly R&B Masters, Vol. 8, then there's a chance you bought it because of some Jimmy Page and Eric Clapton tracks on it. (Charly Records owns the masters to a lot of old tracks from the '60s like a few Clapton and Page played on together, and the label is also known for liberally licensing those records for new albums rehashing the same material over and over again, at the drop of a hat.) One of the 20 tracks on this particular Vol. 8 is a song called "You Can't Buy My Love" by singer/guitarist Barbara Lynn. The song is credited to B. Babineaux. Whether there is any relation between this number and the song of the same name on Plant's Band of Joy album remains to be seen, but it may be one in the same. This blogger describes Lynn's "You Can't Buy My Love" as "a delightful, a beatles kind of song with some sort of jazz added to it ... really upbeat ..." Smirke also makes the Beatles comparison when he says Plant's version has "a foot-tapping cross between Johnny Cash and Hamburg-era Beatles." Or maybe everybody's just confused by the song title resembling a Beatles song title.
  • "Satan, Your Kingdom Must Come Down" appears as a traditional or in the public domain on a number of albums in the past several years. The oldest version I've discovered so far is by Blind Joe Taggart, recorded all the way back in the early 1930s. Uncle Tupelo, Jeff Tweedy's other band besides Wilco, may have popularized the song in 1992 by including it on the album March 16-20, 1992. Other versions have since appeared, including by Paul Hostetter in 1994, Dick Kimmel in 2000, Jason Boone in 2008, Medeski Martin & Wood in 2009, and Willie Nelson earlier this year on his Rounder Records album Country Music.
  • Chuck Berry's 1979 album Rock It contains "Pass Away," which is credited to himself although it is a spoken-work adaptation of Theodore Tilton's 1886 1866 poem "The King's Ring." Based on the lyrics cited in Smirke's Billboard review as part of Plant's Band of Joy album closer "Even This Shall Pass Away," Plant probably did the same thing as Chuck Berry, giving the poem a new title. It does not appear to have been recorded under this title previously. If Plant is indeed singing as Smirke says, rather than speaking, it may be an original melody.

Thursday, May 27, 2010

Robert Plant backs Jason Bonham's Led Zeppelin Experience

Speaking by phone from Wales to a radio show in Florida this morning, Robert Plant made some friendly banter with Jason Bonham, who was on a separate phone line.

The two musicians were last seen onstage together during the Led Zeppelin reunion concert on Dec. 10, 2007, when Bonham took the place of his father, drummer John Bonham, and played along with Plant, guitarist Jimmy Page and bassist/keyboardist John Paul Jones.

Both musicians were given some time to discuss their own projects, Plant kicking things off alone in a first segment by discussing his upcoming album and tour. When Bonham was patched in following a commercial break, the hosts of "The Paul and Young Ron Show" sat back and listened as Plant and Bonham playfully bantered back and forth.

"The whole deal with Zep was that the four of us were always pushing and re-crafting that whole game that we were in. You can repeat something for so long but not forever. I think the whole adventure with Led Zeppelin has carried on in my spirit. I carry a flag for invention and making something quite exciting and unusual."
Robert Plant

Plant explained to the hosts that Bonham, who was just a school-age kid in the early 1980s, played drums on some of Plant's earliest studio demo sessions as a solo artist. Bonham remarked that it was while Plant was taking him to school that he was recruited to come along to the studio to sit in on drums. Their chummy exchange set the tone for the rest of the interview, during which they supported each other's upcoming projects.

"I'll be there at your show, Robert," said Bonham.

"Well, I'll be there at my show too," Plant joked.

The interview did include the first endorsement by any member of Led Zeppelin of the upcoming tour called Jason Bonham's Led Zeppelin Experience.

Tuesday, May 25, 2010

Robert Plant to cover obscure songs of recent years

In selecting songs to cover on his forthcoming studio album, Robert Plant has evidently received a helping hand from consultant Nigel Grainge, a former record executive and publishing mogul.

"I have been told one the songs I gave Robert is the best track on the album," Grainge writes in an e-mail distributed online May 24.

As a result of his days as a label boss, he takes credit for having signed such acts as Thin Lizzy, Sinead O'Connor, the Steve Miller Band, the Boomtown Rats and 10cc. Since selling his interests in his own record company and a separate publishing firm, Grainge relocated from England to California, and is now on a second career providing consulting services in the music business.

Today, he is known for "using his enormous [database of tunes] to provide uncovered gems for artists to record," according to Grainge's official Web site. It is in this capacity that he says he helped Plant with the project he is set to unveil later this year.

Grainge says after he selected 90 songs for Plant to consider covering, he brought the singer to his Los Angeles-area home last summer to spend three days listening to them.

A picture taken in 2009 and appearing on Grainge's Web site shows him and Plant posing with a vinyl copy of the LP Avenue Road, a 1968 album by the short-lived Toronto-area psychedelic rock band Kensington Market that was produced by Felix Pappalardi.

Unlike that record, Grainge says what most of the songs he picked have in common is they are less than 5 years old. While he does not name any of them in particular, he describes them broadly as "obscure but fabulous."

Grainge says that following his meeting with Plant, "He left ecstatic as he hadn't realized what a goldmine of great NEW songs there are out there if you dig deep enough."

Music industry writer Bob Lefsetz published Grainge's comments, which were written in response to recent comments in The Lefsetz Letter about modernizing older music acts in today's market.

"A&R for any older act with a still-interested audience should not be as hard as today's business makes it," says Grainge.

Plant's most recently released studio effort, the Grammy-winning album Raising Sand recorded with Alison Krauss, was a collection of songs mainly picked out by producer T Bone Burnett, drawing almost exclusively from Americana of the 1950s, '60s and '70s. Three particular tracks skewed from the genre:
Raising Sand contained no original material from Plant or Krauss. Just prior to recording that album with Krauss in 2006, Plant completed a tour in support of his album Mighty ReArranger, whose initial track listing contained a dozen originals and no covers. (That album, which has since been re-released with bonus tracks, celebrated its fifth anniversary earlier this month.)

Plant's previous opus was the 2002 album Dreamland, which combined two true originals and seven cover songs from decades earlier -- plus one remaining tune that credits Plant and the members of his Strange Sensation band alongside several blues songwriters from decades earlier.

Grainge says he intentionally avoided presenting Plant with songs that existed before the turn of this century.

"Most of the publishers I had spoken with before meeting with Robert were clueless in relating to my request for new Robert Plant songs to be 'contemporary,'" writes Grainge. "I wanted stuff by their coolest new writers and was sent 50's Bobby Bland and John Lee Hooker songs. F***ing clueless children."

Grainge provides some examples of previous projects for which he'd consulted that had not panned out for one reason or another. He sums up these frustrations, saying, "Many of the old gits I've had opportunity to work with look at you like nuts when you present them with a modernizing idea. They're so jammed in the old paradigm that leaving the comfort zone is tough."

In March, Rounder Records announced that Plant's album would be released late this summer or during the fall.

"I'm told by the management company it's amazing," Grainge says of the album, which is tentatively titled It's Rude to Say No.

A recent Rolling Stone magazine article implies that the album would contain original material from Plant and his band. A spokesperson for Rounder Records did not reply to requests from LedZeppelinNews.com to verify this.

Meanwhile, Plant's U.S. tour is slated to begin July 13 in Memphis; tickets to the opening date finally went on sale May 22. Plant's 12 tour dates conclude with a July 31 show in Miami, although Rounder said more dates would follow separately.

Plant is to be supported on both the album and tour by a backing group he calls the Band of Joy, named after a band for which he sang in the 1960s prior to the formation of Led Zeppelin. The current Band of Joy lineup includes album producer Buddy Miller on vocals and guitar, Patty Griffin on vocals, Darrell Scott on vocals and multiple instruments, Byron House on bass, and Marco Giovino on drums and percussion.

Tuesday, May 11, 2010

Five years since Mighty ReArranger; more Robert Plant originals on the way in 2010?

Monday marked the fifth anniversary of the release of Robert Plant's album Mighty ReArranger, a full-length collection of new songs he wrote with his band at the time, the Strange Sensation. So far, this was the last new material of his.

For those familiar with this album:
There was a lot to love about that album, and all of it was new. New -- as opposed to his 2002 album, Dreamland, or 2007's Raising Sand with Alison Krauss. The former had only two Plant originals on it, and the latter contained no originals from either Plant or Krauss, although it did contain their take on one previously unreleased song written by musician Sam Phillips.

Plant's songwriting on Mighty ReArranger came out of his being surrounded by a group with ample imagination and abilities to explore music and combine Eastern beats with underground trance. In turn, Plant put pen to paper and conjured up seemingly personal lyrics that often reflect on not only this life but the life after this:

Sunday, April 18, 2010

Gospel flavor from Robert Plant's future touring bandmates at festival in Texas

Twice yesterday, I watched three-fifths of the lineup that will comprise Robert Plant's touring band this summer. Future Band of Joy members Buddy Miller and Patty Griffin played afternoon and evening sets together at the Old Settler's Music Festival in Driftwood, Texas. The presence of drummer Marco Giovino creates a quorum of the touring lineup backing Plant on a 12-city tour this July with additional dates said to follow.

Buddy Miller, as one of two guitarists on Plant's extensive "Raising Sand" tour in 2008, may have been just as responsible for the guitar sound night in and night out as was album producer T Bone Burnett. Much of the tremolo-preferring ambiance and chunky offbeat 9th-chords that marked Plant's latest outing is in evidence onstage for the current effort, a testament to the Nashville musician's influence on the sounds heard in 2008.

Miller is the one in producer mode now, being the focal point of Plant's forthcoming album, slated for release late this summer or in early fall on Rounder Records. Miller's also lent his talents to two other albums this year, including a disc showcasing himself and fellow guitarists Marc Ribot and Bill Frisell with multiple vocalists (no release date announced yet). Griffin's Miller-produced gospel effort Downtown Church, which was released in January on the Credential label, was a significant contributor to the festivities at the final night of the Old Settler's Music Festival; a good portion of the disc featured in Griffin's evening set on the Hill Country Stage.

Onstage, she credited Miller with teaching her "about all that gospel music." They're currently on tour supporting her disc, and this Austin-area festival date is their second stop in Griffin's home state. She said her producer is "a walking encyclopedia of all-American roots music [and has] 75,000 songs on his iTunes. He really does. He sent me about 500 songs just to get started, learning the gospel music." Hearing his gospel suggestions from the Bob Dylan songbook inspired her to write some original material modeled after it, specifically "Little Fire" on Downtown Church. (On the studio track, her voice is complemented by that of Emmylou Harris.)

Halfway through Miller's afternoon solo set on the Hill Country Stage, he welcomed his previously unannounced guest vocalist and brought her out to duet with him on some songs that were mostly featured on Written in Chalk, his 2009 album with wife and collaborator Julie Miller. The sharpest of these songs was "Gasoline and Matches," which might ordinarily be considered a little heavy for the Old Settler's Music Festival if it were not for Miller's onstage lead-in, the Lee Boys, a funky jam band centered around a master of the pedal steel guitar and some dance beats. This brought the swaying hippie sect in full force to the front of the stage under the sunshine.

Soon, that sunshine gave way to clouds, then drizzle, and all-out thunderstorms, before calming for the evening with an ongoing electrical light show on the horizon. The inevitable effects were mud everywhere and electrical hazards onstage crudely averted by the placement of sweatshirts on the electrical equipment mid-set. Griffin, in particular, said she was impressed with the dogged determination of the crowd to stick around with her for both sets. "You are some tough, tough Texans," she commented.

If either set contained any material destined for Plant's album, it wasn't announced to the audience. However, the onstage introduction of Buddy Miller in the afternoon included mention of the former Led Zeppelin frontman, courtesy of Roger Allen, who hosts "Lone Star State of Mind" Friday nights on KGSR 93.3 Radio Austin.

"I want to talk to you [for] a second about what's about to happen," the DJ said onstage next to Miller, "because this guy has been traveling with Robert Plant." Cue the screams of appreciation from the diverse crowd. "He's winning all kinds of awards from all kind of people." Cue more screams. "He's actually been traveling with the Alison Krauss/Robert Plant show, and I think, this summer, you're gonna be back in Austin, Texas, playing with Robert Plant." Miller nodded. People screamed again. "Pretty good gig."

Friday, March 26, 2010

Robert Plant to tour with Patty Griffin, Buddy Miller; 12 summer dates announced for Band of Joy

Robert Plant will be joined on tour in a new lineup featuring Patty Griffin and Buddy Miller, according to an announcement posted this morning on Plant's official Web site.

His new band, given the recycled name Band of Joy after a pre-Zeppelin band he fronted and that at one time featured his future Led Zeppelin bandmate John Bonham, consists of the musicians who appear on his upcoming album, mentioned in today's statement not by name but tentatively scheduled for release on the Rounder label late this summer or early in the fall. Miller is listed as a co-producer of the album.

A dozen concerts have been announced for the Southern United States, opening July 13 in Memphis and so far continuing only until July 31. This is only the first leg of tour dates, according to the release. Onsale dates vary between March and April; links posted below contain more specific information.
  • July 13: Memphis, TN - The Orpheum Theater Information available in May
  • July 15: Little Rock, AR -  Robinson Center Music Hall Ticket Info
  • July 16: Tulsa, OK - Brady Theater Ticket Info (on sale already)
  • July 18: Albuquerque, NM - Sandia Casino Amphitheater Ticket Info
  • July 20: Phoenix, AZ - Dodge Theater Ticket Info
  • July 21: Tucson, AZ - Anselmo Valencia Amphitheater Ticket Info
  • July 23: Dallas, TX Meyerson Symphony Hall Ticket Info
  • July 24: Houston, TX - Cynthia Woods Mitchell Pavilion Ticket Info
  • July 26: Austin, TX - Stubbs Waller Creek Amphitheater Ticket Info
  • July 28: Mobile, AL - The Saenger Theatre Ticket Info
  • July 30: Clearwater, FL - Ruth Eckerd Hall Ticket Info
  • July 31: Miami, FL - Bayfront Park Amphitheater Ticket Info
The full list of musicians joining Plant, Griffin and Miller in the Band of Joy, both in the studio and on the upcoming tour, also consists of:
  • Darrell Scott, multiple instruments and vocals
  • Byron House, bass and vocals
  • Marco Giovino, drums, percussion and vocals
Miller is to play multiple instruments and sing, and Griffin is to sing. The Band of Joy is to be playing material from the new album. It would be Plant's first disc since Raising Sand in 2007, with Alison Krauss, who is mentioned in the release.

"Oh yes," Plant is quoted, as if responding to a question, "Alison and I get together quite often -- and sometimes we dance."

Of the new album, Plant says:
"It's been a blast working on these new songs -- and I'm enjoying such creativity and vitality. It's been a remarkable change of direction for all of us and as a group we all seem to have developed a new groove."

Friday, February 12, 2010

Cue the rimshot; Robert Plant's humor comes across even on Twitter

Delivering an entire joke, including the setup and punch line, in 140 characters or less has become an art form. Relaying comedy on Twitter is possible, and Twitter user @johnrags mastered the craft yesterday, when he shared a story about meeting Robert Plant while out for lunch in Nashville. Succinctly, he writes:
@Jereme_ & I are eating & Robert Plant sits at the table next to us... I say "I love your music." He says "I do too". sweet #onlyinnashville
Rimshot, please!

Plant's been spending time in Nashville in recent months, readying his ninth solo album. Tentatively titled It's Rude to Say No, the disc is produced by Buddy Miller, who played guitar and sang backup while Plant was on the road with Alison Krauss in support of their 2007 release, Raising Sand.

Plant and Miller played together twice in October 2009, and last year also saw the release of Miller's album with wife Julie, featuring a guest vocal from Plant recorded backstage during the Raising Sand tour.

Thursday, February 11, 2010

Robert Plant solo album reported coming this year, produced by Buddy Miller

Update: LedZeppelinNews.com can report that Robert Plant's 2010 solo album is tentatively called It's Rude to Say No.

The first indications of what Robert Plant will do in 2010 have now been reported. Freelance writer Tom Netherland gets his scoop published in the Herald Courier, in a feature on one of the musicians reported to have played on recording sessions with Plant in Nashville just before Christmas.

"Look for Plant's Buddy Miller-produced album later this year," Netherland writes, nonchalantly dropping the first official confirmation published anywhere that the former Led Zeppelin singer was indeed working with Miller in Nashville shortly after Plant hand-wrote and signed the lyrics that fetched $2,225 for the Americana Music Association.

The musician profiled in Netherland's piece, published Feb. 11, is singer-songwriter Darrell Scott, "who played such instruments as mandolin and glockenspiel" for the forthcoming Plant album. He is one of a few key players in a tight-knit band appearing on the record, Netherland reports.

While the other musicians comprising Plant's new studio lineup have not been identified, Scott does provide a few insights from the sessions. One is the revelation that Plant was singing classic songs including "Cindy," a traditional bluegrass number also recorded and performed under the title "Get Along Home, Cindy."

In the article, Scott discusses his impressions of working with Plant in the studio. He tells Netherland:
"Those two-plus weeks were some of the most memorable times I've ever had in the studio. ... The number-one thing is that Robert loves music. You think they're posing and just getting through it, but I was humbled with how Robert Plant loved the music -- old country, blues, rockabilly."
Scott has an album of his own on the way, tentatively a double album called A Crooked Road. In the meantime, his latest disc was Modern Hymns, released in 2008 by Appleseed Recordings. That album includes an appearance by Alison Krauss.

Scott also appears on Back to Love, the latest album by fellow American singer-songwriter Beth Nielsen Chapman. She will be alongside Plant onstage as his next scheduled live set, at the famed Abbey Road Studios in London, takes place Feb. 25 and creates a musical first for Plant: namely, performing onstage with a 72-voice choir.

That ensemble is the London Oriana Choir, which featured on Chapman's DVD release If Love Could Say God's Name, released in England in 2007.

The occasion is a concert called Sound & Vision, with funds to be raised to support the charity Cancer Research UK. The show is also scheduled to see sets from David Gray and Newton Faulkner. A patron of the charity, BBC Radio 2 DJ "Whispering" Bob Harris, is set to host the evening.

Harris, when he was host of BBC television's The Old Grey Whistle Test, interviewed Plant backstage at a Led Zeppelin concert in Brussels, Belgium, on Jan. 12, 1975. That historical moment is included on the official Led Zeppelin DVD, released in 2003.

Plant is quoted in a statement offered by the charity's publicity firm earlier this month. He says:
"Performing at Sound & Vision is something I'm really excited about. Cancer Research UK is a very worthwhile cause, and when Bob asked me to get involved I didn't hesitate. My set is quite different from anything I've ever done before, as I'll be performing with Beth and a full choir on stage. Cancer is a disease that affects so many people and Sound & Vision is a great way to raise money to fight it."
Harris also issued a statement on Plant's participation, saying:
"I'm thrilled and proud that Robert Plant is taking part in this year's Sound & Vision. We have a lot of history together -- he even performed an impromptu gig for my 60th birthday party -- so it's great to have him on board. It's truly inspiring to see him and so many other respected names from the music and photography industry come together to help raise money for Cancer Research UK's lifesaving work."
Three days remain in an eBay auction for two tickets to the event plus an official program autographed by Plant.

Chapman says she is looking forward to her performance with Plant:
"I'm so excited about performing at Abbey Road with Robert Plant and a 72 voice choir on Feb 25th! Also be performing will be David Gray & Newton Faulkner. It's to raise money for Cancer Research UK. It's going to be some night!"